As part of the Seamwork Ambassador team, I get to see all the patterns fairly early in the month. I’m not under any obligation to make them, but if one takes my fancy, I have access to it before publication. This month, one of the patterns is the Beckett overalls and I thought they looked like they’d be fun to make!
Something a bit different today, both in terms of style and colour. If you’d asked me 25 years ago if I’d ever wear a caftan, I would have said something along the lines of, “No way! They’re for old ladies” (which was anyone above 30 back then). Fashion is a fickle mistress, however, and that wafting 70s shape is all the rage again (patchouli oil optional). Being older and wiser, I also know that such shapes are often worn by “older ladies” because they are very kind to lumps and bumps and ungroomed Covid legs (who am I kidding – that was de rigeur in my household pre-Covid too), as well as being extremely comfortable and, well… draughty to wear. So I say, hurray! Bring on the caftans! First up:
I’ve been working on the Seamwork Clarke for some weeks now. So far, I’ve made two tops and two dresses, one of them a fail, which I’ll go into below. There’s a fair bit to talk about: working on the bias vs. cutting on the straight grain, extending to a dress and quite a bit of trial and error, to be honest, so I’m going to split this into two posts. Today, I’m going to write about my first Clarke tank and my two dresses, with a few lessons I learnt about working on the bias. Next week I’ll post my other tank and a bias skirt I’m working on – the Seamwork Dezi – which will hopefully make for a nice duo. Fingers crossed!
Well, it’s been a wee while since my last post! I’ve been working away on various bits and pieces, and they’ve all pretty much been multi-part projects where I’m trying to nail the fit of a wardrobe staple. This post is about my little journey with the knit tank. During this project I had one of those rare golden moments of affirmation that one is not actually bleedin’ crazy, but instead that one has made a very reasonable guesstimate and deduction in the style of, say, Sherlock Holmes perhaps. It doesn’t happen very often.
Wearing Julia tank No. 2 in the beautiful northern Cascades, WA
This was a fun make! I’m on quite a Closet Case Patterns kick right now – I made the Blanca Flight Suit earlier this year and my Carolyn pajamas are alllmmoost done. I cut those out in December! Crazy. Anyway, this jumpsuit is something I chose as part of my loungewear capsule wardrobe, which is slowly nearing completion and coming in even more useful than I anticipated back then! The Sallie is a knit jumpsuit, so it’s extremely comfy for lounging around, but I’m more than happy to wear it out and about too. It’s certainly not a garment that needs to be confined to the house!
In fact, I wore it to the zoo this week, which reopened at 25% capacity and with full Covid precautions (masks, distancing, etc.), and it made for the perfect exploring outfit. I made my Sallie from this modal knit I got from Lillestoff. I’m a fan of the quality of Lillestoff knits and wanted to try a solid piece after using a patterned length for my Mayfair dress earlier this year. Continue reading “New jumpsuit: Closet Case Patterns Sallie”→
Alright, sooo, we got a new puppy a few weeks ago – and this skirt is called the BARKLY skirt. I mean – what’s a girl to do? Enjoy a guest blog appearance from our new Lagotto Romagnolo (or Italian lake dog to you and I) who is now known as… Luigi. Oh yes we did.
I’ve got a double-header for you today, and that’s because it was in fact a double test I did for the lovely Beth of Sew DIY. Back in April I made both a pair of stashbusting quilted slippers for her, as well as a test of the Tasi jacket/robe, which really appealed to me because of the draft-your-own adventure style of the pattern.
Hello there! This is always a work-intensive post to write, but I’ve gone back to previous such posts numerous times to remind myself of clothes, outfits or resolutions, so it’s definitely worth it – to me at least.
But first… May 2020
This May has been, of course, completely different to any Me-Made May I’ve taken part in the last few years. Initially this was because of Covid-19, which added a different flavour to proceedings. My husband was working from home, so he had a few minutes to get a picture of me each day, which helped immeasurably. On the other hand, not going out anywhere beyond my back yard meant I didn’t really wear many “going-out” clothes, or even many coats/jackets, so that was a little different. I did, nonetheless, make an effort to dress up a little some days and it really did noticeably lighten my mood on those days, so there’s definitely something to be said for the effect of what might be seem like a superficial routine on your psyche. Continue reading “Me-Made May 2020 – the results”→
I ended up making both of the June patterns from Seamwork back at the beginning of May, because they seemed like a good pairing and I had the idea to go crazy and try block printing the fabric to make some sort of loosely matching outfit. And… it was fun! I did it in a very basic manner, which I’ll briefly outline below, but I’m really happy with the results. I think the shorts came out better than the top, personally, but both are not far off what I was aiming for.
Note: I’m a member of the Seamwork ambassador team, which gives me a chance to have some input into the behind-the-scenes workings over at Seamwork HQ, giving feedback on patterns, magazine articles, etc. In return I am subscribed to the service for free for a year. Nevertheless, I’m not under any obligation to write subjective reviews of Seamwork patterns and all opinions remain my own.Continue reading “New outfit: Seamwork Dorian shorts and Willis top”→
I haven’t tested for Jennifer for a little while – the time difference between here and New Zealand (where she’s based) is such that I often miss the sign-up, but in this case the email arrived in my inbox, back in March, just before I went to sleep. Hurrah! In case you’re not familiar with Jennifer’s pattern line, her speciality is to produce vintage-inspired garments with a modern fit and sizing. I like testing for her and her patterns, because they are quite feminine (but not overly so), well-drafted and always a pleasure to sew, in terms of the way the construction is thought out. The Bastion Culottes, I’m happy to say, were par for the course.