Wow – denim jackets, eh? I’ve made a couple of pairs of jeans now and I actually really enjoy working with denim and topstitching. This denim jacket took topstitching to a new level though! Admittedly, this was partly (mostly) to do with the fact that I decided to go back to my teenage roots, be brave (you may choose an alternative adjective), and add a Sherpa lining to the Style Arc Stevie jacket – which is my Sew my Style October project. And it was totally worth it, because this is the coziest, most winter-appropriate denim jacket I’ve ever owned.
Now, the good news is that creating the lining is really not difficult and it doesn’t add much to the construction really. If you’re going to the effort of making a full-on oversized 80s-style denim jacket, adding a little bit of Sherpa really isn’t much more effort. However, I do have a few tips that will make life even easier for you at the end of this post, because the extra bulk does need a little consideration. Continue reading “Style Arc Stevie denim jacket with a Sherpa lining – tutorial and tips”
As you probably know, I’ve tested garments a few times for Beth from Sew DIY – and was more than glad to test the updated version of the Lou Box Dress 2 for her recently: particularly since it was on my list as a straight-up make before the call for the testers went out!
I first took notice of the pattern when I saw Beth’s own grey version in a thin knit (you can see it on the bundle cover) and thought it looked like an elegant take on a comfy knit dress. So when I decided to make my own, it was a fairly quick process to pick this version and view of the Lou Box Dress 2 – and equally easy to select this thin botanical knit with a ton of drape. It’s been languishing in my stash for several years now, waiting for the right project, and I think this was a nice match. Continue reading “New test: Lou Box Dress 2 for Sew DIY”
I’ve known about the Shirt No. 1 by Sonya Philip for some time. I first saw the paper pattern in Drygoods Design here in Seattle a year or two ago and was honestly a little confused by the super-simplistic design flat. Then I noticed that some of Sonya’s patterns had been added to Creativebug, which I subscribe to. I really want to use more of my subscription classes – there are some really good ones, but I just never seem to get round to it – so decided this would be a perfect addition to my woven top investigations.
I was pleased to see there were a number of variations included with the class: a contrast yoke version (hello scrapbusting!), a bias-cut bottom version and a button-down front. The class includes the pattern and this is no small matter, and part of the reason I continue to subscribe. There are quite a few indie patterns I would otherwise purchase (Made by Rae has much of her output there too) and so the price works out for me. Continue reading “New top: Shirt No. 1 from Sonya Philip”
Is this really a hack? Adding a bit of length and some pockets? I don’t know and I don’t really care for the word “hack” either. When I was younger it was a colloquial term for a particularly globulous spit, (and perhaps it still is), but in any case it doesn’t exactly inspire visions of elegant sartorial alterations. Oh well, whatever. It does a job, I suppose.
I have made the Seamwork Adelaide once before and it is, without doubt, one of the best fitting patterns I’ve made, straight from the pattern. Seamwork may have its detractors, but I bloomin’ love my lily linen dress. Having said that, I hadn’t initially planned on the new version you see before you. Oh no. That was actually supposed to be my first project from the Nani Iro Atelier book and I’d even gone so far as to cut the dress out. You know what’s coming, don’t you? Continue reading “New dress: Seamwork Adelaide maxi hack with a whiff of Wiksten”
Yes, yes, I am probably the last sewist in the world to make this jumpsuit this summer. It is a continuation of my mini-capsule of linen/double gauze for the humidity of Virginia, where I am now on vacation. In all honesty, I wasn’t in love with the pattern picture when I saw it – a gorgeous model, but the fit of the jumpsuit didn’t attract me like, say, the Deer and Doe Sirocco which I made instead. However, as per usual, once I saw versions on other people – and when every sewist from London to Mars says they are getting good results, you know something’s going on.
I liked the instructions a lot – very clear and good drawings. I was never in doubt as to what I needed to do (with one exception, see later). I also very much like the bluntness of the “staystitch your neckline or you will PAY later” part. Haha. Honestly, I wish more instructions were like that – none of this “we advise you to… it’s up to you, but…” Particularly when you’re a beginner or new to sewing a type of garment, you need a little black and white messaging sometimes. Continue reading “New jumpsuit: Zadie by Paper Theory”
I made these on a total whim after flicking through the Nani Iro Atelier book. I was already working on one of the dresses from it, but was drawn to these simple tapered linen trousers and had some perfect RK Brussels Washer linen (Ocean – isn’t it a dreamy shade) sitting in my stash, so decided just to cut them out and give them a whirl (particularly since they can be made in a day, no problem). I bought it in a sale from Fabricworm and I think they got some more in.
As you have probably noticed, I’ve been on a linen/gauze kind of kick recently. The overriding reason for this is because next week we’re going to Virginia for a couple of weeks’ holiday and we’ll be doing a lot of sightseeing, so it seemed like the ideal time to plan a mini-linen wardrobe! Everyone keeps going on about how cool and swishy it is to wear. I have to admit I’ve never got on with RTW linen much. It never seemed to fit me well, no matter how thin or curvy I was. But now I can SEW it! Woohoo! Continue reading “New trousers: Nani Iro Atelier Tapered Pants “I””
The Wiksten shift is a pattern that has been super-popular this year. When I first saw it, I was definitely like, “Meh”, because , as mentioned in previous posts, the boxy shift silhouette has never been part of my repertoire, owing to a curvy figure that needs some definition. However, my feelings started to change when I saw my friend Melizza (@melizzamakes), who tested the garment for Jenny Wiksten, fashion not just one, but multiple gorgeous versions. Still, I thought, maybe it just looks amazing on Melizza (which would certainly not be out of the question). Then I saw other versions pop up – on all shapes and sizes – and, I kid you not, EVERYBODY – and I really mean everybody – looks fantastic in this dress. Check out #wikstenshiftdress on Instagram and see for yourself.
There’s something about the proportions of the dress: the neckline and sleeves, versus the length and width; I can’t say what exactly, but Jenny Wiksten got this draft bang on. I reached tipping point sometime in June and went from being indifferent to this pattern to being practically desperate to make one overnight. I had a few other garments in my queue to finish first, but browsed through my stash and, because this shape is such a vehicle for showing off a fabric, had literally dozens of suitable pieces I wanted to use. Continue reading “New dress: Wiksten shift in Nani Iro Kokka double gauze”
The second in my series of woven tees is another popular choice – the Maya top from designer Marilla Walker. It’s actually both a top and a dress and after this version I may well try out the dress.
I have a couple of patterns by Marilla Walker and they have been on my to-do list for ages. The Isca shirtdress is absolutely up my street (check out this amazing version by Marilla herself) and the Roberts dungarees have also been super-popular, but I just haven’t quite got around to stitching them up yet. Autumn, here I come! Meanwhile, the Maya top is influenced by Marilla’s Central American background and is based on the traditional Guatemalan Huipil. It’s a cap sleeve dress or top that is designed to hang well from the shoulders and have a wide fit from the bust down. I made the most simple version of the top, with no button placket. Continue reading “New top: Maya top from Marilla Walker”
This is my second year doing this swap challenge #ogdenidaswap2019, but this year I decided to do the full thing and made both the True Bias Ogden top and the Kylie and the Machine Ida bag. Last year I only made the Ogden and enjoyed the challenge so much, I thought I’d up the ante this year. If aren’t familiar with the challenge, it’s much as it sounds. You choose to make one or both of the aforementioned items and are given a recipient to send them to. You Instastalk them for a few days and then make and post off your item based on the measurements you receive. Some other plucky soul does the same for you!
Continue reading “New tops and bag: The Ogden + Ida Swap 2019”
Truth be told, I wasn’t that excited about making jeans for Sew My Style July. Not because I don’t like making jeans – in actual fact I find it really satisfying – but because I’m trying to lose a little weight and jeans are a lot of effort to make if you then go and change size. I also was pretty sure I was going to make the Megan Nielsen Ash jeans as I’ve had that pattern since it came out and really wanted to give it a go. However, there were quite a few choices this month and, when I noticed that the Dawn jeans, also by Megan Nielsen, had a shorts version, I thought “Aha”.
I feel like shorts are a little more forgiving size-wise, plus I had this amazing acid wash denim in my stash that all of a sudden seemed PERFECT. I got it from a #Seattlesews fabric swap event and had been mulling over what to do with it. It’s very soft, vintage denim, probably from the 80s or 90s, and I’m quite partial to an ironic piece of retro clothing, I must say. Continue reading “New shorts: Dawn jean shorts by Megan Nielsen”