Another dress so soon, I hear you say? Well yes – this is one of the new patterns for Seamwork this month and I have to tell you, it’s a great month! I love both of the patterns on offer for July, but wasn’t too sure about the bust support factor for Siahra (although I know some ambassadors got around this, so am interested to read their posts on the matter), so I opted to make this dress – Killian. This style is absolutely up my street with its slight vintagey vibe and I’m delighted to report that it’s jumped straight into my favourite-dress-patterns-of-all-time list. I will definitely, definitely be making more of these, and perhaps with some variations, so stay tuned for those.
First though, you might wonder why I like it so much? Really, it’s because it has features that I think really suit me. It’s that simple. I’m also very happy with the fit I achieved and thought that it might be helpful for beginners (or anyone who’s interested) if I explain how I went about the fitting process. Obviously everyone is different, but one thing I found hard as a beginner was just assessing a pattern and figuring out what to tackle, and in which order. I’m not a fitting expert by any means, but I’ve definitely gotten better at fitting my body over the years, so perhaps it will help someone. I’ll pop that detailed section at the bottom of the post. Let me know if you have questions!
I wasn’t kidding when I said I was into dresses right now. I have this one, another two in progress and ANOTHER two prepped and just waiting to be cut out (which as you know, is my favourite thing to do (yes, I’m a weirdo, but I just adore the cutting part). This is the Seamwork Kimmy, which came out last year at some point. I really liked the version on the model and filed it under “potential future projects” in my brain, and then I saw some versions on Instagram that prompted me to order the copyshop version while I was getting some other stuff printed. It’s a fun little sundress , which is mostly a success, but I don’t think it will go down as a favourite of all time. Let me tell you why…
The Kimmy is described as: “a versatile dress that marries effortless style with ease and comfort. Dolman sleeves with adjustable gathers and an elastic waistline offer this frock its figure-flattering shape.” The pattern comes in Seamwork’s two sizing ranges: 0-16 in the misses range with a C cup block, and 18-26 in the curvy range with a DD block. There is an overlap between the two ranges now, but this is an older pattern, so the break happens at the size 16. The pattern is drafted for a height of 5’8″. I’m 5’6″ and didn’t make any changes to the length and, as you can see, it’s still fairly short – above knee length. You’ll probably want to check that if you have long legs.
I have to tell you that I almost gave the game away this month! I’ve been wearing this Seamwork Kari romper on and off since I made it and I allmooossttt put a picture on my Instagram account for Me Made May. Argh! Luckily, I realised in the nick of time and didn’t post. This romper is just a perfect summer garment – breezy, so easy to fit and with secret shorts – what’s not to love?
It’s also named after my fellow Seamwork Ambassador who is called Kari (I bet you guessed that already) She makes so many great garments and is such a nice person – check out her account at @littlebrickhouse on Instagram. Her namesake pattern is, as you can see, a romper. For me, that is such a funny name, because where I come from rompers are only worn by babies. We would call this lots of other things, but not a romper. Still, now that I’ve used the name, it’s stuck in my head, so I’ll probably be calling it a romper forevermore, although it will still definitely, definitely always conjure up a mental image of me wearing a giant babygro.
It seems like a while since I posted, but I’ve been busy, busy, busy sewing – it’s just been quite a lot of testing. I seem like I’m testing more than ever, which was not my intention, but the thing is that lots of my favourite companies are expanding their ranges into larger sizes and D cups, which is just too enticing an opportunity to turn down. I expect they will finish up this process this year sometime, but for now I continue to support those efforts. And I do, as you know, quite enjoy testing.
Hello everyone and a Happy New Year to you all! I hope you had a happy celebration, tucked away with your loved ones, and here’s to 2021 being a better year than 2020 was. I just have a short and sweet post today with some pictures of the Seamwork Amari jacket that is one of the two new patterns in Seamwork’s January magazine. I actually ended up making two, because my mother-in-law liked mine, so I whipped up another for her. It’s such a fast sew, it didn’t take long.
The Amari jacket is a pullover with dropped shoulders, a yoke, a stand collar and a quarter-zip. Seamwork recommend that you use knit fabrics with at least 25% stretch and that they are medium to heavyweight. You really need this so the stand collar sits up and also so that the zip can be attached properly. I used a lighter French terry for mine, and a thicker brushed merino for my mother-in-law’s pullover and you can see the difference in the stand collar (see hers further down the page). Hers is nice and upright, while mine, although still perfectly acceptable, is a little softer. I wouldn’t want to use a fabric any lighter than that. The bonus version of the pattern has a hood and drawstring, which is a nice alternative.
The Seamwork Devon is one of the November patterns for Seamwork and boy, are they both corkers this month! I would normally have sewn up both of them, had I not just finished making a bunch of jackets and coats, but I can tell you I’m really looking forward to seeing what everyone does with the Baz. Maybe I’ll come back to it early next year.
I mentioned a few weeks ago that I can’t seem to stop making green things, but August has definitely been The Month Of Pink. This weird Covid-19 period has had a whole range of effects on different people, from what I can tell. Talking to my sewing friends, some people haven’t sewn much at all and have found knitting or crocheting to be more soothing during this time. For me, it’s almost the opposite. I’ve had little periods where I couldn’t muster up the creativity for anything at all, but then have almost-manic bursts when I just want to sew 24/7. This has actually proved useful in terms of wardrobe planning, because I’ve ended up making two things that go together, more often than not.
You may have seen this top knocking about on Instagram or Facebook, as I have. It’s a simple enough design, but there was something about those cuff sleeves that kept piquing my interest. Since I have no shortage of simple woven top patterns, I managed to resist until I saw the paper version at Drygoods Design stall at Sew Expo this year (pretty much my last social occasion pre-lockdown) and had a moment of weakness. I’ve made two versions, the second being more of a mash-up with the Maya, and I have some mixed feelings about the project, although mostly positive.
As I’ve mentioned before, I have a subscription to Creativebug and one of my aims this year was to actually use some video classes. I had admired the Friday Pattern Company Adrienne top for a while anyway, so when I saw it was on Creativebug, pattern included, I knew it was time to make me some billowy old pirate wench sleeves.
I’m sure you might also have seen the Adrienne top around, but, if not, it’s described by the designer as “a fashion forward wardrobe essential. It is a knit top with billowy statement sleeves that are gathered up at the shoulders and hems with elastic. The length is slightly cropped with the hem hitting just below your bellybutton.” Which is all pretty accurate, but I wouldn’t say the top is so cropped on me. More like a regular high hip length. Continue reading “New top: The Friday Pattern Company Adrienne in a Pinterest-inspired outfit”→
Are you a fabric before pattern person, or a pattern before fabric person? I keep changing my mind as to which I tend more towards, and since I’m trying to pull most fabric from my existing stash, it does blur the lines somewhat. One thing I have discovered recently is that sometimes I know exactly what I’m going to make, whether it’s the pattern or fabric I decide on first, but that I’m also quite happy to allow one or the other to percolate and when the perfect coupling occurs to me, my decision-making is pretty instant.