Karma’s a bitch, as they say. There are several things that sensible sewists should not to do when working on a project and I committed a cardinal sin of sewing the other day. This massive ding-dong was to post a picture on Instagram of my bias binding progress, while making a jokey comment about how I rarely make a muslin. And, of course, this finished project is a very good example of why you should make a muslin, and particularly when you’re using a new-to-you designer. That’ll teach me.*
I mentioned a few weeks ago that I can’t seem to stop making green things, but August has definitely been The Month Of Pink. This weird Covid-19 period has had a whole range of effects on different people, from what I can tell. Talking to my sewing friends, some people haven’t sewn much at all and have found knitting or crocheting to be more soothing during this time. For me, it’s almost the opposite. I’ve had little periods where I couldn’t muster up the creativity for anything at all, but then have almost-manic bursts when I just want to sew 24/7. This has actually proved useful in terms of wardrobe planning, because I’ve ended up making two things that go together, more often than not.
You may have seen this top knocking about on Instagram or Facebook, as I have. It’s a simple enough design, but there was something about those cuff sleeves that kept piquing my interest. Since I have no shortage of simple woven top patterns, I managed to resist until I saw the paper version at Drygoods Design stall at Sew Expo this year (pretty much my last social occasion pre-lockdown) and had a moment of weakness. I’ve made two versions, the second being more of a mash-up with the Maya, and I have some mixed feelings about the project, although mostly positive.
As I’ve mentioned before, I have a subscription to Creativebug and one of my aims this year was to actually use some video classes. I had admired the Friday Pattern Company Adrienne top for a while anyway, so when I saw it was on Creativebug, pattern included, I knew it was time to make me some billowy old pirate wench sleeves.
I’m sure you might also have seen the Adrienne top around, but, if not, it’s described by the designer as “a fashion forward wardrobe essential. It is a knit top with billowy statement sleeves that are gathered up at the shoulders and hems with elastic. The length is slightly cropped with the hem hitting just below your bellybutton.” Which is all pretty accurate, but I wouldn’t say the top is so cropped on me. More like a regular high hip length. Continue reading “New top: The Friday Pattern Company Adrienne in a Pinterest-inspired outfit”→
Are you a fabric before pattern person, or a pattern before fabric person? I keep changing my mind as to which I tend more towards, and since I’m trying to pull most fabric from my existing stash, it does blur the lines somewhat. One thing I have discovered recently is that sometimes I know exactly what I’m going to make, whether it’s the pattern or fabric I decide on first, but that I’m also quite happy to allow one or the other to percolate and when the perfect coupling occurs to me, my decision-making is pretty instant.
As part of the Seamwork Ambassador team, I get to see all the patterns fairly early in the month. I’m not under any obligation to make them, but if one takes my fancy, I have access to it before publication. This month, one of the patterns is the Beckett overalls and I thought they looked like they’d be fun to make!
Something a bit different today, both in terms of style and colour. If you’d asked me 25 years ago if I’d ever wear a caftan, I would have said something along the lines of, “No way! They’re for old ladies” (which was anyone above 30 back then). Fashion is a fickle mistress, however, and that wafting 70s shape is all the rage again (patchouli oil optional). Being older and wiser, I also know that such shapes are often worn by “older ladies” because they are very kind to lumps and bumps and ungroomed Covid legs (who am I kidding – that was de rigeur in my household pre-Covid too), as well as being extremely comfortable and, well… draughty to wear. So I say, hurray! Bring on the caftans! First up:
I’ve been working on the Seamwork Clarke for some weeks now. So far, I’ve made two tops and two dresses, one of them a fail, which I’ll go into below. There’s a fair bit to talk about: working on the bias vs. cutting on the straight grain, extending to a dress and quite a bit of trial and error, to be honest, so I’m going to split this into two posts. Today, I’m going to write about my first Clarke tank and my two dresses, with a few lessons I learnt about working on the bias. Next week I’ll post my other tank and a bias skirt I’m working on – the Seamwork Dezi – which will hopefully make for a nice duo. Fingers crossed!
Well, it’s been a wee while since my last post! I’ve been working away on various bits and pieces, and they’ve all pretty much been multi-part projects where I’m trying to nail the fit of a wardrobe staple. This post is about my little journey with the knit tank. During this project I had one of those rare golden moments of affirmation that one is not actually bleedin’ crazy, but instead that one has made a very reasonable guesstimate and deduction in the style of, say, Sherlock Holmes perhaps. It doesn’t happen very often.
Wearing Julia tank No. 2 in the beautiful northern Cascades, WA
This was a fun make! I’m on quite a Closet Case Patterns kick right now – I made the Blanca Flight Suit earlier this year and my Carolyn pajamas are alllmmoost done. I cut those out in December! Crazy. Anyway, this jumpsuit is something I chose as part of my loungewear capsule wardrobe, which is slowly nearing completion and coming in even more useful than I anticipated back then! The Sallie is a knit jumpsuit, so it’s extremely comfy for lounging around, but I’m more than happy to wear it out and about too. It’s certainly not a garment that needs to be confined to the house!
In fact, I wore it to the zoo this week, which reopened at 25% capacity and with full Covid precautions (masks, distancing, etc.), and it made for the perfect exploring outfit. I made my Sallie from this modal knit I got from Lillestoff. I’m a fan of the quality of Lillestoff knits and wanted to try a solid piece after using a patterned length for my Mayfair dress earlier this year. Continue reading “New jumpsuit: Closet Case Patterns Sallie”→