Hello there! Remember me? Well, I guess it hasn’t been thaaaat long, but I think it must be one of the longest gaps between blog posts since I started this thing 5 or so years ago. It’s not like I haven’t been sewing, but I’ve been doing lots of little bits and pieces: some tests, some quilting (yes, I am truly well down that particular rabbithole) and I also finished up some projects that were sitting languishing: some kids clothes and some home goods. That felt good! Oh yes – and I went to Alaska on vacation, which was very cool!
But today is a great day to post, because Closet Core Patterns, as I’m sure you may have heard, have been busy with lots of exciting things! The team have released this wonderful new Pauline dress pattern, which I tested a few months ago, but also opened a brand new FABRIC store, Core Fabrics. OH YEAH. I mean, who doesn’t love a brilliant new fabric source? I tested their storefront a little and although they were still ramping up stock input, it was immediately clear that they were sourcing fabric after my own heart – eco-friendly from reputable sources. Excellent! I encourage you to go and check Core Fabrics out, but right now I want to fill you in on the Pauline dress and my rather extravagant black summer version in this post.
Is this really a hack? Adding a bit of length and some pockets? I don’t know and I don’t really care for the word “hack” either. When I was younger it was a colloquial term for a particularly globulous spit, (and perhaps it still is), but in any case it doesn’t exactly inspire visions of elegant sartorial alterations. Oh well, whatever. It does a job, I suppose.
I have made the Seamwork Adelaide once before and it is, without doubt, one of the best fitting patterns I’ve made, straight from the pattern. Seamwork may have its detractors, but I bloomin’ love my lily linen dress. Having said that, I hadn’t initially planned on the new version you see before you. Oh no. That was actually supposed to be my first project from the Nani Iro Atelier book and I’d even gone so far as to cut the dress out. You know what’s coming, don’t you? Continue reading “New dress: Seamwork Adelaide maxi hack with a whiff of Wiksten”→
I showed my husband the Seamwork Eugene Henley-style top some time ago and he was all “ooh no, I don’t wear that style…” Fast forward a year or so and he suggested I make this style with some fabric I purchased! Men are just as fickle as women when it comes to fashion it seems. This is also a bit of a follow-up on my little quest to find the ideal fabric for a man’s tee. You may remember that I have basically discounted cotton lycra blends, for my husband at least, as he finds them too clingy, and that I had success with some organic cotton I used to make the Sinclair Tao pattern in January. I used a few more of my test fabrics in this Eugene tee, as well as a repeat of the Tao and also another Liesl + Co. Metro Tee.
First though, the Eugene. I cut out the XL for Tom and there are a few small extra pieces because of the little button placket that gives the Henley its distinctive style. I noted that the sleeve head was very high and exaggerated compared to that of the Metro tee and was interested to see how that translated into the final garment. The fabric I used this time was a thicker interlock jersey that I purchased from Organic Cotton Plus at the same time as the Tao fabric. Both myself and the hubby decided that the thickness was more suitable for a long-sleeved tee, so I lengthened the Eugene sleeve by using another full-length sleeve as a template and adjusting. Continue reading “New menswear: Seamwork Eugene tee fail and a couple of repeats”→