The Wiksten shift is a pattern that has been super-popular this year. When I first saw it, I was definitely like, “Meh”, because , as mentioned in previous posts, the boxy shift silhouette has never been part of my repertoire, owing to a curvy figure that needs some definition. However, my feelings started to change when I saw my friend Melizza (@melizzamakes), who tested the garment for Jenny Wiksten, fashion not just one, but multiple gorgeous versions. Still, I thought, maybe it just looks amazing on Melizza (which would certainly not be out of the question). Then I saw other versions pop up – on all shapes and sizes – and, I kid you not, EVERYBODY – and I really mean everybody – looks fantastic in this dress. Check out #wikstenshiftdress on Instagram and see for yourself.
There’s something about the proportions of the dress: the neckline and sleeves, versus the length and width; I can’t say what exactly, but Jenny Wiksten got this draft bang on. I reached tipping point sometime in June and went from being indifferent to this pattern to being practically desperate to make one overnight. I had a few other garments in my queue to finish first, but browsed through my stash and, because this shape is such a vehicle for showing off a fabric, had literally dozens of suitable pieces I wanted to use. Continue reading “New dress: Wiksten shift in Nani Iro Kokka double gauze”
I made the first Deer and Doe Mélilot as a project for the Sewstripes theme month for the Sewcialists community blog and I love it. It gets regular wear and I knew I’d want to repeat the process and sew some more. As I mentioned in that blog post, I felt I’d done a good job on fitting the front, with a full bust adjustment, but that the back needed to be taken care of next. Well, there’s no time like the present, so I decided to tackle my back fit issues with this next iteration.
I know I get that all-too-familiar pooling of fabric at the base of my back with any fitted blouse or dress and this is something I needed to tackle. I was working on a base case assumption of having a swayback issue, but before I made that adjustment, I did a little reading around the subject. It turns out that the fabric excess can also be caused by an erect back, a full front (bust), a generous bum, just to mention a few issues. Since the problem is basically that the length of your back piece is too long – somewhere – these all make sense. Continue reading “New shirt: the adjusted Melilot in Nani Iro double gauze”
A new bag! It’s a present for someone, but I’ve sent it already, so this won’t spoil any surprise. I’m pretty sure they don’t read this blog anyway. 🙂 You may recognise this fabric. It’s the Nani Iro brushed cotton that I made my Beatrix top with. In fact, I decided to make this bag first and then used the “remainder” for the Beatrix top, which seems a funny way round, but there you are. The bag recipient loves red and I happened to know she just bought a new grey jacket, so it was a fairly easy colour-combo decision. I added a pop of bright blue inside for a wee surprise. Continue reading “New bag: Noodlehead Trail Tote”
I bought a few pieces of Nani Iro fabric from Miss Matatabi a few months ago and have been looking at them every now and again since then. I said I’d make a bag for my mother-in-law after she admired the Noodlehead Cross Gatherer bag I made a few weeks ago, and her favourite colours are red and yellow, so I thought I’d use this gorgeous red flowered brushed cotton I have from the Nani Iro pile. However, that’s going to use very little fabric, so I looked for a pattern that I might be able to squeeze out of the remaining 1.75m. I’ve been admiring the Beatrix top for a while – it was the View A + placket version I saw on the Made by Rae website that finally sold it to me – and it seemed the perfect project to show off this vibrant design. Continue reading “New make: Beatrix Nani Iro top”